选择力学概略

出版时间:2011-4   出版时间:新星出版社   作者:金松寿,闫克平,唐睿康   页数:234  
封面图片

选择力学概略
内容概要

  Chinese architecture after reform and opening sprung from adiscussion of national style.Although we were finally able to liftthe veil placed over our eyes and gradually expose ourselves toWestern architecture,there was a dilemma.Would our architecturebe uniquely Chinese?Or would it be entirely Westernized?Facingthe transformation of our culture,we hoped to move forward byleaps and bounds,but traditional thinking made US hesitate.TheBeij ing Fragrant Hills Hotel,Qufu Queli Hotel,Lhasa Hotel,and others have a distinctly Chinese mood.Articles from 1 980seditions of Architectural Journal were titles as“Modern Style anda Link to the Past,”(by Qi Kang),“Using Architecture to Recordour Mighty Era”(by Yin Peitong).First published in August 1979,“The Architect”concentrated on translating architectural essaysand research papers.In 1 983,Peng Yigang’S“Unified Theory of Building Spaces”was published,marking China’S first formalinquiry into architecture.The rebirth of architectural discussionindicated that even as we were sweeping away the remains of the Great Leap Forward era,we were beginning to think rationally As nationalistic voices in the discussion gradually softened,the Chinese architectural world looked toward“foreign experience.”In“Thinking between History and the Future,”Tai Ning wrote,“Modern Chinese architecture is happening in the narrow alleysbetween tall buildings.If we don’t use reform and opening tobravely assimilate the outside culture of modem,which is Westernarchitecture,it will be impossible for modem Chinese architectureto achieve a breakthrough.”Indeed,with such a vast culturalhistory,innovation was not an easy task.With the Beijing PalacePenninsula Hotel and Asian Games Village,we attempted to fusetogether an exploration of Chinese spirit and modernism,but inpractice this was more the transplantation of foreign culture on amulti-coexistence foundation.
作者简介

金松寿 我国著名的量子化学及化学动力学专家,第20届和21届中国化学学会理事,浙江省化学学会副理事长。对催化剂集团结构适应理论、无机盐溶解度规律有较深研究,提出分子间存在选择性作用力的理论。1978年获全国科学大会奖,1985年获国家科技进步三等奖,还获“国家著名老教授”荣誉。著有《量子化学应用简程》、《化学动力学》、《有机催化》、《选择性分子间引力和集团结构适应性》、《控制论化学和应用》等十几部著作。
闫克平 高级工程师。
唐睿康 浙江大学化学系教授,博士生导师,浙江大学生物物质与信息调控研究中心主任。
书籍目录

PrefaceArchitecture
Takes
on
the
World30
Years
of
Chinese
ArchitectureChapter
l:Cultural
ArchitectureWith
ResonanceMemorial
for
Compatriots
Kilted
in
the
Nanjing
Massacre
by
Japanese
Forces
of
AggressionThe
Dignity
of
a
Four—sided
CompoundThe
Chinese
Academy
of
Sciences
LibraryA
Ray
of
Light,a
Stone,a
WorldChengdu
Luyeyuan
Stone
Sculpture
Art
MuseumLost{n
ThoughtZhejian8
Tiantai
MuseumCinderella’S
TransformationShanghai
Museum
of
Contemporary
ArtA
Place
to
Start
EventsThe
Ningbo
Museum
of
ArtAn
Eastern
InstituteFeng
Jicai
Culture
and
Art
Research
Institute
of
Tianjin
UniversityA
VessL
for
the
SpiritLongshan
Church“Shanxi
Courtyard”
Gardenqingshui
HallContemporary
Aesthetics
Break
in
Indigenous
Cu[tureSongzhuang
Museum
of
ArtThe
Suzhou
MuseumThe
De[ight
of
HistoryExhibition
Hail
of
The
Jiangnan
Command
Center
of
the
New
Fourth
Army,Jiangsu
ProvinceFOrm
frOm
FunctionThe
Library
of
the
Shunde
Cultural
CenterLibrary
on
the
WaterQingpu
Library,Puyang
CourtyardPost-modern
WondersDafen
Village
Art
Museum,ShenzhenPreserving
History
and
Branding
RejuvenationBeijing
Today
Art
MuseumSeeds
of
Art
in
the
DesertThe
Art
Museum
of
Ordos,Inner
Mongolia“Coming
into
the
World”and“Going
into
the
World”Ningbo
Urban
Exhibition
CenterAn
Ancient
BoatThe
Ningbo
MuseumChapter
2:Educational
ArchitectureModern
Architecture
Blendlng
into
the
EnvironmentBeijing
Foreign
Language
Teaching
and
Research
Press
BuildingBetween
Mountains
and
WaterSuzhou
University
Wenzheng
ColLege
LibraryMore
Clear,More
PowerfuLNanjing
University
Taoyuan#2
Graduate
Student
ApartmentsSustalnabte
Development
in
Localized
ArchitectureLijiang,Yunnan
Jade
Lake
Wanxiao
Hope
Pnmary
SchoolStroUing
through
a“Garden”Shanghai
Q{ngpu
Xiayu
KindergartenCourtyard
on
the
Roof
of
the
WorldNgari
App
Le
Primary
SchoolArchitecture
1n
the
BackgroundBeijing
Baiziwan
Kindergarten
and
Middle
SchoolThe
Poetry
of
ArchitecturaL
AestheticsChina
Academy
of
Art,Xiangshan
CampusThe
Space“Between”Global
Institute
of
Software
TechnologyChapter
3:Public
ArchitectureThe“Chinese
spirit”of
modern
architectu
reBank
of
China,BeijingVehicte
for
Open,F[exibte
DemocracyShenzhen
Municipal
PLanning
Bureau
OfficeThe
dynamic
equilibrium
between
architecture
and
the
cityShanghai
Municipal
Higher
People’s
CourtBeijing,a
Step
Back
in
the
PastBeijing
Desheng
Up-town
Office
AreaRespect
the
City,Dialogue
with
Your
Su
rroundingsChangfa
Cente
NanjingPrecise
Dimensions.Rich
DetaiLQingpu
Shanghai
Construction
Exhibition
CenterFrOm
Engineering
to
ArchitectureChongqing
Tong
Yan
Lin
International
Design
Center……
章节摘录

  The
Today
Art
Museum
is
located
in
the
center
of
Beijing'S
CBDin
Chaoyang
District.Its
avant-garde
style
truly
makes
it
stand
outagainst
its
environment--its
fusion
of
older
industrial
conceptswith
modern
themes
creates
a
distinctive
aesthetic
quality.Thedesign
was
based
on
the
conceptual
analysis
of
the
transforming
ofold
urban
architecture
and
on
the
traits
of
original
extemal
featuresof
old
buildings
and
internal
functions.Wang
Hui
thus
implementeda
series
of
design
work
from
taking
into
perspective
both
the
wholeproduct
and
all
the
minute
details.  High-speed
development
and
construction
in
the
business
centerarea
of
the
city
has
all
but
wiped
out
any
traces
of
the
originalcharacter
of
the
area.There
were
two
reasons
that
Wang
Hui
chosethe
CBD
as
his
site
to
transform
an
old
building
into
a
new
spacefor
the
arts.The
first
is
that
he
wanted
to
preserve
some
ofthe
flavorof
the
old
buildings.The
second
is
consideration
of
the
ecologicalrelationship
between
art,architecture,and
the
inhabitants
of
acommunity.The
proj
ect
Wang
undertook,which
bears
the
doubleburden
of
commerce
and
culture,is
full
of
challenges.The
newToday
Art
Museum
was
originally
the
boiler
room
of
the
BeijingBeer
brewery.The
old
boiler
room
is
located
at
the
northeastcomer
of
the
Pingod
residential
complex,easily
accessible
fromthe
adjoining
road.Furthermore,the
spatial
configuration
of
theboiler
room
was
exceptional.The
roof
comes
in
at
1
2
meters
high,creating
a
perfect
atmosphere
for
exhibiting
works
of
modem
art.Also,as
it
was
originally
the
location
of
giant
boilers,the
space
wasalready
able
to
bear
the
weight
load
of
giant
displays
of
art
or
largepieces
of
equipment.
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